Since singing is so good a thing I wish all men would learn to sing.William Byrd, 1588
William Byrd’s music for Advent in the Gradualia I (1605)
An illustrated talk by Dr. David Allinson
10am GMT, Saturday 28th November via Zoom
Followed at 11.45am by the NWEMF AGM
In a year like no other, NWEMF marks the start of Advent with this live online talk by David Allinson. For this seasonal talk David will look at Byrd’s motets for Advent: Rorate caeli, Tollite portas, Ave Maria and Ecce Virgo concipiet. Scores will be sent round electronically in advance, and participants are encouraged to mark up the music as David explores their texts, structure and expressive power. Although it won’t be possible to sing together, you will be able to sing along, muted, when the music is played. There will also be an opportunity to ask questions.
HOW TO BOOK
Members of NWEMF can attend for free. For all others there is a contribution of £5. Booking is by emailing David Allen. Please indicate if you are a member of NWEMF and if possible pay by bank transfer using these details:
- Sort code 09-01-56
- Account number 79658106
For all the details, please see the event flier.
We are invited to join our sister organisation MEMF for this talk by Bill Lyons on Zoom, entitled For the Honour of City & Court – the role of wind and brass players in Renaissance Europe on Saturday 22nd August 1100-1200.
This talk will discuss the various and varied roles of wind and brass players in civic and court bands in the 16th and 17th centuries. The splendid sight and sound of shawms, sackbuts, cornetts, trumpets and other wind instruments was considered an essential element in demonstrating wealth and status and Bill will examine the instruments and repertoire of the official bands in European cities and courts, playing examples and demonstrating his own specialised instruments: recorders, flutes, shawms, dulcians, crumhorns and the rackett.
Bill is the Director of the City Musick and the Dufay Collective and is a regular performer with other early music groups. He can be heard on numerous film soundtracks and has composed and arranged music for film and TV, including the original music for the film The Favourite. He has a long association with the Shakespeare’s Globe Theatre as a composer, performer, Musical Director and Historical Music Adviser. Book on the MEMF website.
Sing and Discover Online Workshop with John Hancorn and Richard WigmoreSaturday 11 July
, 4-6pm: Bach’s Magnificat and Mass in B Minor
Join John Hancorn and Richard Wigmore for this two-hour online workshop. John and Richard will look at the origins and cultural background of these magnificent works and explore the music in some detail, with recorded illustrations. You will then join in with several choruses.
The session costs £10 (plus booking fee) and tickets are available from Trybooking – click on the link below:
Saturday 11 July, Bach: https://www.trybooking.com/uk/SNQ
When you sign up you will receive details on how to join the Zoom online session and links for accessing the music on Youtube. If you have your own scores please do use them.
We look forward to seeing you at the workshop.
is music director of the BREMF Singers, Baroque Collective Singers, East Sussex Bach Choir and Eastbourne Choral Society. He leads workshops and masterclasses specialising in baroque repertoire including regular visits to Early Music Fora. He teaches at the University of Chichester and East Sussex Academy of Music and is a specialist examiner for Trinity Laban. https://www.johnhancorn.com
A former professional singer, Richard Wigmore
works as a music writer, lecturer and broadcaster for BBC Radio 3. He writes for Gramophone, BBC Music Magazine
and other journals, appears frequently on BBC Radio 3’s CD Review, is in demand for pre-concert talks at the South Bank, Wigmore Hall, King’s Place etc, and is a regular lecturer on Martin Randall Cultural Tours. His publications include Schubert: The Complete Song Texts
and Pocket Guide to Haydn. http://wigmoresworld.co.uk
John was wondering whether you might be interested in a ’Sing and Discover’ online session for NWEMF in the fairly near future while live events aren’t happening? We’re charging £10 per person for a two-hour session including provision of pdf music and/or Youtube links with ticket booking via Trybooking. John and Richard could do a ’NWEMF only’ session so you’d all know each other and it would be a bit of a ’social’, or we could promote it / them more widely.
They can offer a wide range of repertoire including Handel’s Samson; Purcell anthems and Dido & Aeneas; Bach St John Passion, Magnificat, Mass in B minor. Please see John’s website for full details: https://www.johnhancorn.com/sing-and-discover/
The June 2020 newsletter has just been published and is available on the members page.
We have received information about some online content that may be of interest to members. BachFest Leipzig contains details of several of the concerts that would have been taking place to packed audiences. The organisers have managed to find a way to make those performances available on a variety of platforms.
You can find the complete program here: https://www.bachfestleipzig.de/en/bach-marathon. Enjoy the trailer here: https://www.youtube.com/watch?v=FuZZvscn0xU.
- 13 June, 2.30 pm
Opening concert – Thomanerchor led by Thomaskantor Gotthold Schwarz
- 13, 14, 20, 21 June, 4.00 pm
Warm-Up with Bach Chorales – Calmus Ensemble, amarcord, Ensemble Nobiles, Sjaella
- 14 June, 8.30 pm
Johannes-Passion à trois 2.0 – extended version: with embedded videos by more than 200 singers from all over the world. Concept and production of the video: MDR KLASSIK
- 20 June, 9.00 pm
At Bach’s Home – with Klaus Mertens and Ton Koopman
- 21 June, 8.00 pm
The sing-along-version of the Mass in B minor – with Aelbgut and Camerata Lipsiensis
The newsletter for February 2020 has been added to the members page.
This is just in time to act as a prompt to register for the workshop with Graham O’Reilly on 15th February. [All members should already have had a prompt, whether by e-mail or by ‘phone. If not, please update your details with the Membership Secretary.]
Our first workshop for the New Year Tutored by Graham O’Reilly will feature – Zielenski Motet: Vox in Rama Motet: Igneum Ignati jubar Magnificat a tre cori
Pekiel Credo from Missa Concertata ‘La Lombardesca’. Graham says we are doing this movement because of the particularly beautiful Et incarnatus and the chromatic Crucifixus. Details and application form are here.
Those of you who were disappointed that Lizzie Gutteridge’s workshop, “Machaut and the Magic of the Medieval,” had to be cancelled may be interested to know that she will be running the same workshop for our sister organisation NEEMF, the NorthEast Early Music Forum. A booking form for this workshop will accompany the next newsletter.
NEEMF have also let us know about a workshop for loud and soft Renaissance wind instruments to be led by Tim Bayley. ‘Music for an Archduke’ will take place on Saturday 25th Jan 2020, so there really is no time to lose if you want to book a place. Download the booking form for this workshop. The workshop will be held at:
York YO23 1BW
The Regensburg manuscript was compiled in the 1580s for Archduke Karl 11 of Inner Austria at Graz, by court musician Nicholas Rekh. The royal trumpeters had access to a wide range of wind and brass instruments owned by the court, including sackbuts, cornets, shawms, crumhorns, dulcians, and Rekh produced part books of religious music by many leading composers of the time, (Lassus, Striggio, Andrea Gabrieli, Wert, as well as several lesser known musicians) giving precise instrumentation.
The workshop will explore some of the larger scale works in eight and ten parts, creating a variety of contrasting bands of loud and soft wind and brass. Suitable for sackbuts, cornets, curtals, windcaps and recorders. Pitch A 440
Tim Bayley has played early wind instruments, hurdy gurdy and harp for many years and was a founder member of the York Waits with whom he has performed since 1977. Tim regularly leads instrumental workshops for the early music forums around the country, and coaches on the week long residential Chalemie course in Oxford. He works as a wind tutor in the York area, conducting a variety of ensembles on a weekly basis as well as holiday youth orchestras with up to fifty players.
An advance notice for a NWEMF RECORDER PLAYING DAY on the 21 MARCH 2020 tutor Marion Scott. The venue is the schoolroom Capel Gad in the village of Cilcain CH7 5NW. NE Wales
Fantasias, Pavans and Galliards
by Jerome and Augustine Bassano
The Bassano family recorder consort stretched over several generations, originating with employment by Henry VIII in 1539, and continuing to serve successive monarchs, up until the Civil War.
Augustine Bassano came to London with his parents in 1539, at the age of about 13. He worked in the royal court as a recorder player and lutenist, as well as an accomplished composer, until his death in 1604.
Jerome Bassano was born in Barking in 1558, the second generation of his family to become a royal wind player. He worked up until the age of at least 72, being “the ancientest musician the king has.” He died a wealthy property owner in 1635, with several of his 12 children continuing the line.
Marion studied recorder, oboe, baroque oboe and piano at the Guildhall School of Music and Drama. She has performed and recorded with many of the leading early music specialist orchestras, including English Baroque Soloists with John Eliot Garner, Academy of Ancient Music, English Concert and the Orchestra of the Age of Enlightenment. She is a versatile teacher at all levels from beginner to music colleges. She also directs recorder ensembles.
Booking forms will be available shortly
The newsletter for November 2019 has been added to the members page.
Remember Saturday the 2nd November is the closing day for applications for the Sally Dunkley workshop day on the 16th November.