Those of you who were disappointed that Lizzie Gutteridge’s workshop, “Machaut and the Magic of the Medieval,” had to be cancelled may be interested to know that she will be running the same workshop for our sister organisation NEEMF, the NorthEast Early Music Forum. A booking form for this workshop will accompany the next newsletter.
NEEMF have also let us know about a workshop for loud and soft Renaissance wind instruments to be led by Tim Bayley. ‘Music for an Archduke’ will take place on Saturday 25th Jan 2020, so there really is no time to lose if you want to book a place. Download the booking form for this workshop. The workshop will be held at:
York YO23 1BW
The Regensburg manuscript was compiled in the 1580s for Archduke Karl 11 of Inner Austria at Graz, by court musician Nicholas Rekh. The royal trumpeters had access to a wide range of wind and brass instruments owned by the court, including sackbuts, cornets, shawms, crumhorns, dulcians, and Rekh produced part books of religious music by many leading composers of the time, (Lassus, Striggio, Andrea Gabrieli, Wert, as well as several lesser known musicians) giving precise instrumentation.
The workshop will explore some of the larger scale works in eight and ten parts, creating a variety of contrasting bands of loud and soft wind and brass. Suitable for sackbuts, cornets, curtals, windcaps and recorders. Pitch A 440
Tim Bayley has played early wind instruments, hurdy gurdy and harp for many years and was a founder member of the York Waits with whom he has performed since 1977. Tim regularly leads instrumental workshops for the early music forums around the country, and coaches on the week long residential Chalemie course in Oxford. He works as a wind tutor in the York area, conducting a variety of ensembles on a weekly basis as well as holiday youth orchestras with up to fifty players.